But first, let's look at the trailer for Dinner for Schmucks. A remake of a French film, Dinner for Schmucks stars Paul Rudd as a guy who needs to bring a huge idiot to dinner at his boss's house to get a promotion. Rudd finds Steve Carrell, a well-meaning simpleton who stuffs dead mice and puts them into dioramas. There's not a lot in the trailer that's laugh-out-loud funny, but Rudd and Carrell are two of the most likeable comedians around, and the supporting cast is strong, including Zach Galifianakis, Bruce Greenwood, Kristin Schaal, Ron Livingston, and Jemaine Clement. We'll wait for another trailer before we make up our minds about this one.
Now onto the A-Team. As we all know, they're four men imprisoned for a crime they didn't commit, who promptly escaped and if you can find them maybe you can hire them. They can also use whatever's in a room to create something destructive with the help of a quick montage. This movie version of the series is written and directed by Joe Carnahan, who must be looking for some of the pedigree he got with gritty cop thriller Narc, and lost with overblown muddled assassin movie Smokin' Aces. The cast is good, with Liam Neeson getting paid handsomely for playing Hannibal Smith, Hangover star Bradley Cooper as Face, and District 9's Sharlto Copley as Howlin' Mad Murdock. They're joined by Watchmen's Patrick Wilson as the villain, and Jessica Biel as the love interest. Ultimate Fighter Quinton "Rampage" Jackson stars as B.A. Baracus. The trailer looks like they're going for fun, but it's a sad fact that, despite what Seinfeld taught us, most movies that feature anything falling out of a plane and shooting back at the plane are normally crap.
Finally, to counter the big budget stupidity, here is a trailer for a little indie film called The Good Heart. It stars Brian Cox as a grouchy New York bar owner who takes in homeless Paul Dano to groom him as his successor. This trailer shows off Cox and Dano, who look like they're giving excellent peformances, and it looks like a nice mixture of Jim Jarmusch-style humour and Hal Hartley-esque dialogue. This may well be worth seeking out.
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